Analysis of the kung fu panda film

Document Type:Thesis

Subject Area:Film

Document 1

Frame three is a mobile framing, medium close up shot captured in the eye level angle. The camera tilts to the cleft in order to show the masters stare at panda as he restructures his commends to the master’s health. The fourth frame is a four second shot edited in a cut. It is a static frame, long shot captured at a higher angle featuring the master as he addresses Panda. The fifth frame is a mobile framing eight second shot which begins as a static frame, medium close up, captured at a low angle to show the superiority/ dominance of Panda above the other characters. The camera pans to the right and tilts downwards in order to show Panda’s gestures as he points to his fellows.

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Frame ten is a static framing medium close up shot, deep focus taken at an eye level angle featuring Panda at the foreground as he points towards the other characters in the middle and background. The eleventh frame is a mobile framing full shot taken at an eye level angle. It is captured in deep space staging featuring Panda at the foreground, their master in the middle ground and tiger with other characters as well as the wall at the background. The shot has a low-key lighting from the top right. Eighteenth frame is a static framing, medium shot taken at an eye level angle in deep space staging. The shot has a Low-key lighting from the top right featuring tiger at the foreground, peacock at the middle ground and the background of Chines art writings.

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Frame nineteen is a static framing full shot taken at an eye level angle. The shot uses a deep space staging featuring tiger at the foreground, panda the new master at the middle ground and the borne fires at the far background. Frame twenty is a static framing medium close up shot taken at a high angle level in shallow space staging as tiger and his fellow trainees bow before their new master Panda. It is aimed at showing the superior power of Panda over his fellows as he is the current trainer. The camera tilts downwards in-order to capture Pandas hand gestures while addressing his trainees. Frame twenty six is a static framing full shot captured at eye level angle in a deep space staging featuring the action of chimpanzee in the middle ground and the walls at the background.

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The shot is set in a low-key lighting. Frame twenty seven is a mobile framing full shot captured at a high angle in a deep space staging featuring Tiger in the foreground, other training materials in the middle ground and the weapons in the background. It is aimed at showing the pain felt by Tiger from the arrow which just hit her unawares. Frame thirty-two is a mobile framing full shot captured at a low level angle in a shallow space staging featuring Crane going high according to Panda’s command. The camera pans to the left following Crane as he passes though the circular spaces. Frame thirty three is a static framing full shot captured at a high level angle in a shallow spaces staging featuring Peacock falling over Playing-Mantis.

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