HOW SPACE TRAVEL CHANGED PERSPECTIVE ON THE WORLD SHAPE ARCHITECTURE IN THE 1960S AND 70S
Document Type:Essay
Subject Area:Architecture
Various buildings were structured in a manner that parabolas and upswept models were put on roofs. Logo designers used shapes that resembled starbursts and satellites. Hotel signs were made to take the form of parallelograms and wings. Although most of the items that employed space flight architectural forms appeared weird ad alien, they reflected the collective courage and willingness of designers to try something new and excel in it. Within this period, space ideologies spread throughout the academic sphere to the intellectually competitive areas in different cultures and countries. It is notable that most of these projects involved high quantities of glass. For instance, in one gathering, Buckminster Fuller, an American innovator known to have pioneered affordable bubble designs attended while wearing extremely thick glasses that made his eyes look like plates.
Most architects believed that space motivated designs were set to revolutionize the environment by solving the existing challenges. Although the models seemed to be friendly to the surroundings, they lacked the required intensity to change the course of global architectural history. It is significant to note that during the early phases, the development of structures and frameworks appeared to be promising. For example, in Colorado, there is a structure known as the Drop City that encompasses several domes that have been put together. Also, in Summerland, here is a building that was constructed using steel and giant plastic that has almost all amenities and aesthetics that are out of this world. It is surrounded by a swimming pool, different kinds of equipment, and fake log cabins. Contrary to the argument leveled against the architectural designs linked to the postwar era whereby they were viewed to treat people as resources that had to be modified to be part of a bigger picture.
The artistic constructions that emanated during the space travel era were visionary though they are currently neglected; the relationship that existed between human beings and the architectural sketches was seen to be harmonious and interdependent. The engineers used a thick layer of concrete to create a pedestal on which a thirty-foot pole that was equally made of concrete rested so that to offer supports to the massive octagonal setup. However, some of the structures were either poorly built or did not receive enough maintenance. For example, the Summerland leisure place was brought down by a fire in 1973 (Diaz, 2018). The inferno that was believed to have been triggered by a cigarette was able to move throughout the house because it was constructed using plastic panels and steel that was coated with flammable materials.
The incident led to the death of fifty individuals highly because it was impossible to access the emergency exit doors. However, the developers argued that the systems will be expensive to execute. Constructing it did not rely on any technological advancement, a lot of finances and the ability of people to adapt to the new travel structure was important. The vehicles will be safe moving at a speed of sixty miles per hour on the tracks. The development of the coleopter was another milestone that was achieved by the 1960s architects. Even though it was impaired by the space travel it was not made to go to space. Later the designers learned that they had to reshape the television set so that to make it easy for acceptability. After a series of restructuring, the model became the most sought-after set of the decade.
Apart from its high level of portability, it had a handle but eliminated the antennas. contrary to the earlier cabinet models, the designers came up with a television set that could be put anywhere and allow viewers to enjoy different angle. The suits used for protection by factory workers also depicted the ideas of space travel. Moreover, the advancements in technology after the 1970s rendered most of the architectural designs created between 1960s and 1970s obsolete. The expansion of the video and television space, as well as infinite access to the internet, deconstructed the period’s artistic choices (Kaplan, 1976). Some of the individuals that supported the utilization of spaceflight architectural designs were affected by the move to terminate all structures that used such concepts, thereby decided to develop online spaces due to the failure of the physical projects.
Besides, various architects that wanted to continue with space travel inspired designs were forced to come up with counterculture structure. Most of these designs involved campuses, residential houses, and commercial buildings. Technology is likely to take us back to those days in future and the imagination of people will always help in sailing through. However, the 1980s onwards became bad years for the application of space travel motivated architectural designs. People were focused on the future ad almost suddenly forgot the last two decades where utopia designs were popular. The counter-revolution of this era was determined to alternate ad switch off the world from their attachment with their past. Apart from the buildings, other areas of architecture were equally affected. com. Available at: https://www. nytimes. com/2004/10/31/arts/design/the-end-of-1960s-architecture. html [Accessed 17 Jun.
Görüntüle, P. Experimental Architecture Of 1960’s And Early 1970’s. online] Arch122superstudio. blogspot. com. Allison Sky , Michelle Stone. ARLIS/NA Newsletter, 5(1), pp. Lo, A. Radical Buildings Dreamed Up By 60s And 70s Architects. online] CNN Style.
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