Bram Stokers Dracula Analysis

Document Type:Essay

Subject Area:Religion

Document 1

Sheridan Le Fanu’s short story, for example, places the virtuous English girl Laura at the mercy of the East European vampire. Dracula flows in a similar way, with the Count’s attentions focused specifically on Mina, a woman who spends her honeymoon nursing her sick husband in the convent, and the pretty Lucy Westenra who is dangerous in her ways. All women are seemingly at risk because the Count suggests when he pointedly taunts the Professor Van Helsing and the followers by saying, “You girls that you all love are mine already. (Mihalcea et al, Pg7). In the course of the book Dracula tend to attack both Lucy and Mina; but Mina, because of the traditional Victorian aspects of determination and loyalty to her husband resists his advances.

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For stoker, the decline of Lucy from the Victorian feminine shows that the perceived selfish unnaturalness of the New Woman is completed (Mihalcea et al, Pg7). Additional films: 1. A girl in the River The director of this film, Sharmeen Obaid-Chinoy, is especially in the line of fire. As a majority of Pakistanis cheers her success, some condemned her (Lavery, Pg8). These critics shows a serious doubts over the Sharmeen’s progressive victories, for “A Girl in the River at the Oscars. Stoned, shot, strangled and burned mothers, daughters and wives have been killed on petty suspicious and false accusation. Saba’s’ great story is told in Sharmeen Obaid-Chinoy’s film “A Girl in the River: The Prince of Forgiveness and has won an Academic Award for the best documentary short.

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The film maker has used this film to advocate a stronger law in Pakistan which ensures that perpetrators are prosecuted for honoring crimes with no possibility of forgiveness or compromise (Lavery, Pg8). It is important that the loophole is closed in order the convicted person cannot escape accountability. To honor crimes has nothing to do with Islamic law. The killing of some pod members is also learnt whereby vampire aspects are portrayed (Beisheim 3). A grey-haired seaman remembers the sea park-financed calf hunt which ended with the cow and bull carcasses being staffed with rocks in order to sink into the ocean floor. The seaman cries at the memory, and says that was the worst act he has ever been involved in.

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As we go on learning more about the orcas or lives in captivity, the vampire aspects becomes more violence. The confinement of the mammals that are supposed to roam free over 100 kilometers; a “training” that needed them to perform tricks on command or be punished with intense confinement and the withholding of some food. There is misattribution of blames to the individual instead of acknowledging the major causes of their situation (Morris 1). The family breakdown, unscrupulous landlords, a negligent employers and a dearth of affordable housing are the sure cause of Cathy’s predicament, and as this not enough, she is ordered to “sort herself out. ” Holding someone accountable for a situation they have no power to handle, increasing the pressure by threats and penalties if they don’t make the changes they are not capable of, is a successful means of destroying someone’s life.

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The film shows how homeless has negative impacts on mental wellbeing. People suffering mentally are most likely to leave their home in the first place. You have a normal life. I have a normal life. You won’t fall in a rut. I won’t fall in a rut. Good night. Rosetta fishes in a filthy nearby river for food, not for fun. She lets a friend of Riquet a kind about her age who has a job in the portable waffle stand. He loves her, is kind to her, and probably she loves him. A vignette follows after the other. We find that unlike almost every teenager lady in the world, she cannot dance. The struggle and suffering Rosetta went through is astonish and educative in nature.

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